Richard Eyre’s elegant production, which opened the Met’s 2014–15 season, sets the action of Mozart’s timeless social comedy in a manor house in 1930s Seville. Ildar Abdrazakov leads the cast as the resourceful Figaro set on outwitting his master, the philandering Count Almaviva, played by Peter Mattei. Marlis Petersen sings Susanna, the object of the Count’s affection and Figaro’s bride-to-be, Amanda Majeski is the Countess, and Isabel Leonard gives a standout performance as the pageboy Cherubino. Music Director James Levine on the podium brings out all the humor, drama, and humanity of Mozart’s score.
Cast: Fr. Chris Alar, Fr. Joseph Roesch, Fr. Kaz Chwalek, Fr. Donald Calloway, Fr. Boguslaw Gil
Director: Michał Kondrat
Genre: Documentary
A group of eminent experts, including the Marian Fathers, analyze Greek texts of the Holy Scripture, revelations and the dogma of the Immaculate Conception. The result is a new interpretation of passages of the Scripture revealing Mary, the Mother of Christ, and her extraordinary role in the divine plan for the salvation of the world.
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